Greek guitar soloist, composer and music pedagogue Smaro Gregoriadou attempts a redefinition of the classical guitar’s sound, technique and transcriptions, through her innovative “Reinventing guitar!” approach on interpretation, exploiting Kertsopoulos Aesthetics platform of inventions (instruments, strings, tuning combinations, acoustic applications).
Program :
Bach (1685-1750)
Cello Suite BWV 1007
Prelude
Allemande
Courante
Sarabande
Minuets I-II-I
Gigue

Domenico Scarlatti (1685-1757)
2 Harpsichord Sonatas
Sonata K322/L483 (Allegro) in A major
Sonata K198/L22 (Allegro) in E minor

Manuel Ponce (1882-1948)
Thème varié et finale (1926)

Fernande Peyrot (1888-1978)
Préludes pour guitare (1931?)
Larghetto
Moderato
Scherzando vivace
Vivo con fuoco

Agustín Barrios (1885-1944)
Air de Zamba (from Suite Andina No.1)
Las Abejas

Štěpán Rak (1945-)
Temptation of the Renaissance(1992)

Manuel de Falla (1876-1946)
Spanish Dance Nr 1 “La Vida Breve” (1904)