The title of the exhibition, "X/Y," is meant to imply some kind of causation. What may be hidden in the work, or will be discovered, remains in a vague state until it enters viewing mode.
Different from the previous two exhibitions, the theme of Yin Changzhi’s third solo exhibition is thinking about the logic of painting construction. By adding more sub-frames inside the rectangular main frame, and interspersing the frames with multiple cloth surfaces, the frames and cloth surfaces are unified with pure and bright colors to form a seemingly monochromatic frame body. Whether it is the increased thickness of the side, or the slope and radian of the front, to a certain extent, are "should be set". The frame and cloth surface thus formed a different logical relationship from the conventional.
As the feet move, the process of watching is the process of discovery and confirmation.