In the 1980s, while many artists were integrating Western modern art into traditional Chinese painting, Wen Xiang took a different path. He infused elements of "design" and "practicality" into Chinese traditional painting. Early on, he meticulously studied traditional painting at the Palace Museum and joined painters like Ya Ming and He Haixia for field sketching. In the 1990s, he pursued further studies in landscape and flower-and-bird painting in Japan, where he was deeply influenced by Japanese painting styles. Combining "lacquer" and "ink," he created over 40 landscape works, naming them "Lacquer and Ink Landscapes." However, Wen didn't cease to explore new creative directions. Transitioning from crafts to landscape painting, he traced ancient Chinese art and practiced realism through continuous sketching. His works embody both the "ancient charm" inherited from ancient art and the "vitality" acquired through sketching. Wen's flower-and-bird paintings reflect his keen observation of everyday life, showcasing his attitude and care towards the world. Throughout his career, Wen Xiang has consistently experimented from different angles, demonstrating his enduring love for Chinese ink art and his innovative spirit.