Beijing Producer Radiax Talks Kick Drums and Rooming With Joy Ginger

By Bryan Grogan, November 14, 2019

0 0

Born in the Dongbei region of China, Radiax (aka Yang Bowen) became fascinated with music and production at a young age. It was only after leaving Liaoning province, however, that he really began delving into underground club music. 

Over the past few years he has aligned with labels like Ran Music, Babel Records and Do Hits, experimenting with different sounds along the way. His 2017 release, Broken Beats, came out via Babel Records and is atypically Babel Records – mellow, atmospheric and with a carefully produced cinematic sheen. We can hear the beginnings of the producer’s preferred high-octane pace and his penchant for drum and bass experimentation, but it wasn’t really until the release of his track ‘Samba Shock’ on Ran Music sublabel Ran Rad’s compilation The Kickoff that we heard the aggressive energy that Yang is capable of. 

Building on that style, Radiax’s new EP Beijing Banger (released via Unchained Recordings) features pared back production, cutting away a lot of the adornment sounds of his previous releases, to present a foursome of tracks that are immediate and full of adrenaline and exhiliration. 

We talked to the producer ahead of Unchained Recordings’ China tour and ahead of the EP release, which comes out on December 13, to chat about the Beijing music scene and his continued musical experimentation. 

Image courtesy of Radiax

Could you tell us about the new release? How long did it take for you to make it?
It took about a year from the first song to the last one. I made ‘Beijing Banger’ very early, and then the other few took about two months to make. So, the style might not be the same, because in the middle of production a lot of influences affected my style.

Are there any unexpected sounds or experiments we can expect from this new record?
‘Quiver’ is relatively experimental. The kick I made uses a lot of overload and compression. The snare drum also has a lot of different sounds. And then, on the top part of the track, I used white noise instead of a hat drum.

Can you talk about how you first began producing electronic music and how Beijing provided inspiration after your move from Jilin?
I started to make music when I came to Beijing at the age of 16. When I was working as a sound engineer, I just naturally came into contact with music producers. Later, I moved to a neighborhood near Dada and went to see a lot of performances there. Those performances eventually influenced the music I am making now.

You have jumped from label to label in the past few years, releasing with Babel Records, Do Hits, Ran Music and now Unchained. What differences have you noticed between each of these labels?
Each label has a different type of music and the pace of work is a bit different, but the common thread between them all is that they are great labels.

We’ve seen you go through a few different styles over the past few years, as you move from label to label. What music are you digging now?
Yes, this shows the stylistic changes in the music I have made. I’ve done jazzy hip hop, UK garage, dubstep, grime, but in the end I realized that I just like drum and bass more. 170bpm gives me more space.

Obviously you guys have a tight community of producers in Beijing, based around Dada, with the likes of S!LK, Ran Music, Babel and some other promoters and labels. Can you talk about some of your favorite producers to play with in Beijing?
I live with Joy Ginger, so I’m gonna say him.

Image courtesy of Unchained Recordings

How was it working with the guys at Unchained? You’re the first Chinese artist to release on the label, right?
Yes, I am the first Chinese [person] to be released on Unchained. Because they are based outside of China and in Shenzhen, we did everything by WeChat and email, such as confirming production of the mastertape.

Will this be your first vinyl release? 
Yes, it’s my first solo vinyl release. Ran Rad previously released a collection of songs on vinyl, with myself and a group of other producers, so this is the first vinyl release with just me. 

Beijing: Nov 15, 10pm; RMB80 door. Dada. See event listing
Shenzhen: Nov 16, 10pm; RMB80 presale, RMB120 door. OIL. See event listing.
Shanghai: Nov 23, 10pm; RMB60 before midnight, RMB80 after midnight. Fallout. See event listing.

[Cover image courtesy of Radiax]

more news

Jesse Warren Talks Shenzhen Music and New Mettasonic Releases

We caught up with musical maestro Jesse Warren to chat about two upcoming Mettasonic releases, 'Made in Shenzhen EP' and 'Mettā Muzik, Vol 3.'

You Can Now Go to the Movies in Beijing, But It's Complicated

Beijing movie theaters partially reopened on Friday July 24.

Conflicting Tides: Digital Streaming and Live Music in China

Consumption of digital music in China is growing rapidly. But does this growth come at a loss for the live music industry?

Cruel Buddhist Talks Making Music with ADHD and Sketching Songs

We linked up with American producer Cruel Buddhist to chat about his process.

4 Online Music Shows to Jam Out With On Valentine's Day

Online music streams are moving in the age of the novel coronavirus.

Gavin Wong Talks Online Radio, Hong Kong Music and Driving Scenes Forward

We spoked to Hong Kong Community Radio founder Gavin Wong about the importance of online radio stations in China's music scene.

Cloak Radio Founder Bl1nk Talks Chengdu Music and Radio Culture

Cloak radio founder Bl1nk has been witness to seismic change in the Chengdu underground.

Here's Why the 'Mulan' Live Action Remake Won't Have Any Songs

Not as mysterious as the dark side of the moon.

0 User Comments

In Case You Missed It…

We're on WeChat!

Scan our QR Code at right or follow us at thatsonline for events, guides, giveaways and much more!

7 Days in China With

Weekly updates to your email inbox every Wednesday


Download previous issues

Never miss an issue of That's Magazines!

Visit the archives

Get the App. Your essential China city companion.